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Met Ball 2016

Claire Danes Zac Posen Gown Met Ball Gala 2016 Fashion Tech_1400x600
Editorial, Fashion, Wearable Technology

Met Ball 2016 Gowns Favor Manus Over Machina – Why?

Claire Danes Zac Posen Gown LED Met Ball Gala 2016 Fashion Tech Manus x Machina

Last night the place to be seen was on the red carpet for the annual Met Gala. The Costume Institute event was themed around the dichotomy between traditional handmade haute couture and technology’s growing involvement in fashion and its creation. With Apple sponsoring the accompanying the exhibit and Jony Ive serving as a co-chair of the Gala, the stage was set for last night to be the coming out party for wearable technology. But was it?

Over the past year we have seen amazing integration of technology into statement-worthy clothing. From Rebecca Street’s motion sensitive LED gown, to Chromat’s temperature reacting sports bra, to Zac Posen’s LED dress coded by high school students, we were expecting to see designers embrace this year’s Met Ball as a chance to explore what was possible with wearable tech. Unfortunately the theme seemed to confuse most of the evening’s guests; the majority seemed to opt-out, wearing gowns and tuxedos they would chosen if there had not been a theme. A select few of the attendees had fun with the theme, wearing clothing that was a vintage interpretation of what tomorrow would hold for fashion or looking for inspiration from clothing created from what were once cutting edge machines, such as looms. But wearing a gown that is silver or metallic doesn’t equate to “machine.”  With the theme being “Man versus Machine,” man clearly won the night.  

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Manus x Machina Met Ball Gala 2016 Apple Wearable Technology Fashion Tech
Designer, Exhibits, Fashion, Wearable Technology

Met Ball Kicks Off With Jony Ive Opening Of Manus x Machina

Manus x Machina Met Ball Gala 2016 Apple Wearable Technology Fashion Tech

It is the first Monday of May which means tonight is one of the biggest fashion events of the year: the Met Gala. But tonight’s formal event is not the only notable happening at the Metropolitan Museum, the Ball also marks the grand opening of the Costume Institute’s annual fashion exhibit. As part of the official opening of “Manus x Machina” Apple’s Chief of Design, Jony Ive, spoke about the relationship between technology and craftsmanship. The exhibit focuses on the dichotomy between handmade haute couture fashion and machine made fashion, exploring some of the newest technology in fashion including thermo-shaping, laser cutting, and 3D printing. During Jon Ive’s speech, he encouraged an open mind as technology becomes a larger and larger part of fashion, pointing out that all crafts depend on tools or methods that were at one point new:  

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Year In Review

Year In Review: Editor’s Picks – Biggest News Of 2015

2015 Year In Review Wrap Up_Editors Picks Top Stories Wearables Fashion Tech Environment

From smartwatches, to connected dressing rooms, to recycled clothing, 2015 was an incredible year for fashion and technology. We saw advances to help us be better global citizens, encourage kids to be smarter, and keep us connected at all times. While 2016 promises to be the year that fashion tech and wearables begin to find their audience, 2015 laid the groundwork!

Head past the break as we take a look at the stories we believe shaped the industry in 2015 and that will define where the integration of fashion and technology is headed.  

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Exhibits

Ive, Wintour, And Bolton Discuss Apple’s Sponsorship Of Met Ball

Jony Ive Anna WIntour Andrew Bolton Met Ball 2016

When it was announced last week that the theme of the 2016 Met Ball was going to be fashion and technology, it came as surprise. Not only was the theme unexpected, but so were the event’s sponsor (Apple) and co-chair (Jony Ive). The Wall Street Journal had the opportunity to sit down and discuss the upcoming Met Ball (officially themed: ‘Manus x Machina: Fashion in an Age of Technology’) with Ive, Anne Wintour, and Andrew Bolton, who will soon take over as head curator at the Costume Institute.

Speaking to Apple’s involvement, Ive, who is the company’s chief design officer, discussed how wearable devices such as the Apple Watch were pushing the shift from industrial to fashion design. He explains, “As products become more personal, something that is worn on the wrist put us in the space of fashion.” Apple seemingly acknowledges the different between the two design philosophies, bringing onboard Marc Newson, who has experience in both fields, to work on the Apple Watch. Ive recognizes that Apple is just beginning to understand the universe of fashion design, but that it is a perspective which will shape future products.

The accompanying exhibit to the Ball will focus on showing how automation and craftsmanship are equally as valuable in shaping fashion. Bolton explains, “We’re trying to dissolve the dichotomy of the hand and machine, and present it as a continuum of practice.” Jony Ive is fully aligned with the Costume Institute’s view, stating, “It’s a completely false notion that there is inherent value in what is made by hand, or an inherent lack of value in what is made by machine” This is a concept that Ive believes strongly in and embraces in his daily work. While responsible for designing incredibly advanced hardware and software, everything Ive works on starts with hand drawn sketches. Ive details, “I still draw with a pencil and paper every day, and enhance with relevant technology.”

Perhaps the most notable aspect of the 2016 Met Ball theme is the headline grabbing acknowledgement of the growing relationship between fashion and technology. From design, to materials, to manufacturing, to marketing, to retail, the two fields are almost inseparable. And their relationship is only growing tighter, as more and more tech becomes fashion oriented and fashion becomes increasingly tech oriented. Apple’s involvement in such a marquee fashion event symbolizes the company is going all-in as it tries to make personal tech fashionable. The red carpet of the 2016 Met ball should be interesting!

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Fashion

2016 Met Ball Theme Announced: Fashion & Technology

Met Ball 2016 Anna Wintour Jony Ive Apple Taylor Swift Manus x Machina: Fashion in an Age of Technology

One of the the biggest fashion events in the world is the annual Met Ball. Every year the gala at The Metropolitan Museum of Art has a different theme, related to the Costume Institute exhibit at the museum. Attendees scramble for months leading up to the event to make sure they wear something that uniquely, and glamorously, embraces the theme. The theme for the 2016 Met Ball was just announced and we couldn’t be more excited: Manus x Machina: Fashion in an Age of Technology. And in an interesting twist, Apple’s Chief Design Officer, Jony Ive, will chair the event along with Taylor Swift, Idris Elba, Anna Wintour, Nicolas Ghesquière, Karl Lagerfeld, and Miuccia Prada.

The Costume Institute and Met Ball embracing the concept of fashion and technology suggests we are approaching a tipping point of the two’s relationship; we are moving closer to a world where fashion and tech are deeply intertwined. While much of the exhibit will look at modern manufacturing techniques and how they are influencing fashions at all price points, the inclusion of Jony Ive also indicates a focus on wearable technology. Given the daringness of most outfits worn to the gala, we cannot wait to see how guests push the idea of fashion tech. While we have seen a few stunning outfits incorporating everything from reactive fabrics to LEDs, these have been one-offs or something shown at tiny fashion events. The Met Ball has the potential to be the real coming out party for fashion tech.

If your invite to the Met Ball on May 2nd, gets lost in the mail (ours usually does), you will be able to check out the Costume Institute’s exhibit at The Metropolitan Museum of Art. It will consist of over 100 looks which, according to Vogue, “will focus on the dichotomy between handmade haute couture and machine-made fashion.” Andrew Bolton, curator of the Costume Institute, elaborates, “Traditionally, the distinction between the haute couture and prêt-à-porter was based on the handmade and the machine-made. But recently this distinction has become increasingly blurred as both disciplines have embraced the practices and techniques of the other.” Traditional techniques such as embroidery, pleating, and lacework will be shown along side laser cutting, thermo shaping, and circular knitting. There will also be several “in-process” workshops showcasing cutting edge technologies such as 3D printing.

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